Saturday, April 14, 2007

Speedophobia


Mark Simpson undresses the tortured relationship between American men and their swimsuits. Out Magazine, February 2007

If the stern, killjoy rubric of the warning sign ("Prohibited: In the City of Cape May the wearing of skin tight form fitting or bikini type apparel or bathing suits by males over 12 yrs. age"), erected in the 1960s by the good people of Cape May, NJ, sounds like a way to rain on a gay beach party, that's because it was.

Cape May, a resort town a few hours south of New Your City by car, had become a popular gay haunt by the 1950s, nicknamed "Cape Gay" by the cognoscenti. According to a 1969 article in Philadelphia magazine, "their public displays of affection, particularly among men wearing women's bathing suits on the main beach...turned off the townsfolk." The city council, eager to protect its flock from glimpsing the terrifying outline of adult male genitalia, was moved to pass a law forbidding bikini bathing suits on males over age 12 - a "phalliban", if you will.

Now, of course, such a sign is inconceivable. Or rather - unnecessary. After all, everyone knows that male bikinis, or to give them their trade name-turned-generic moniker, "Speedos", are unofficially banned from all main beaches in the United States, whatever your age.

You may think them practical and sexy and iconic. You may consider them the single most perfect and pithy item of clothing ever designed for the male body. You may consider them the only thing to wear on the beach. You may even consider yourself slightly overdressed in them. But if you do, it's probably because you're gay. Or foreign. Speedos, otherwise known as 'banana hammocks', 'marble bags', 'noodle benders', and 'budgie smugglers', are apparently as un-American as Borat's body thong.

Speedos on a nongay beach are the surest way to earh yourself angry stares, abuse, and plenty of room for your beach towel. As a result, Speedos have in the United States become a badge of gay pride and exclusion - as overt homophobia declines, rampantly overt Speedophobia is bringing US gays and Brazilians together, hudding together at the far end of the beach in their lycra.

Male celebs like David Beckham, Cristiano Ronaldo, and Daniel Craig may now be nicely filling out their Speedos on their beach holidays - but none of these fellows are American. Speedos and even more revealing male swimsuits are popular in South America, Asia, much of Europe, and especially, of coures, in the land of the pert-butted lifesaver: Australia, the place where the 'Aussie cossie' and much fo the beach lifestyle we know today was born.

The Speedo is more than just "gay" beachwear: It's a symbol of sexual freedom and rediscovery of the body after centuries of clammy Christian morality.

Bathing and swimming are undoubtedly pagan passions. The ancients invented the seaside resort and spent a great deal of gold on, and time in, their blessed public baths, where the men bathed and swam naked. Not because they were indifferent to nakedness, but because they esteemed virility. Every night was wet jockstrap night (without the jockstrap) at the Roman baths, and especially well-endowed bathers were likely to be greeted with a round of applause; during the reign of notorious size queen Emperor Elagabalus, those who hung low at the baths were promoted to high office.

Alas, neither swimming nor bathing nor size-queenery survived the decline of the Roman Empire. Medieval Christianity, with its ghastly suspicion of the body, rendered water - the sensual cleanser of limbs - suspect. As late as the 16th century, bathing was thought to be wicked, unhealthy and, er, filthy. (Even Catholic baptism used only 'holy' water, water that had been blessed, symbolizing the cleansing blood of Christ: sin was the deep-down dirt that Christianity was angry with).

The English were the first to rediscover the lost art of swimming, largely as a result of their exploration of Polynesia in the 18th century where swimming was common amongst the blissfully naked natives. By the 19th century, swimming in rivers, lakes, and the sea was almost as popular in England as it had been in Rome - frequently naked, male and female, sometimes at the same time.

Christian moralists, their influence having resurged in the late 19th century, were naturally incandescent at these displays of wanton happiness. They successfully campaigned for local bylaws banning daylight bathing, or insisting on the use of 'bathing machines' that allowed the bather to enter and depart the water unseen, or requiring "neck-to-knee" bathing costumes (New York State had such a law until as late as 1938). A typical swimming costume comprised a pair of woolen knickers extending to the knees and a sleeveless jersey. Not a good look.

To their eternal credit, it was the Australians who struck the first blow against the 19th-century phalliban. With typical Aussie obstinancy, the men of Manly Beach chose simply to disregard the pissy-prissy laws banning daytime bathing. Faced with this seaside insurrection, local authorities threw in the towel and lifted the ban in 1903. The rest of Australia followed swimsuit. Though precisely what kind of swimsuit was still contested. Many male bathers disregarded the neck-to-knee ordinances, either rolling their one-piece down to the waist, or wearing trunks, frequently improvised. Good Christian folk found this intolerable. There was a strident campaign by decent, upstanding, if slightly pallid, Christians to get male bathers to wear modesty-preserving bathing 'tunics'. Protests by angry crowds of male bathers at Manly and Bondi Beach - wearing ballet skirts and sarongs - put an end to the phalliban.

So it was in Australia, a warm country where most of the population tenderly hug the coastline and pay little attention to busybodies (perhaps because Australia began as a convict colony), that the bodily freedom of the modern beach lifestyle ("surfers rather than serfs!") was invented, anticipating by decades the sexual revolution of the 1960s - giving men's packets and asses freedom of expression. It was this, not Kylie Minogue, that was their greatest contribution to world culture. Australia, a country fond of casually abbreviating English, abbreviated the male bathing 'cossie', and with it Victorian morality.

The institution that did more to export this vision of a sandy, nicely rounded utopia than any other, smuggling millions of 'budgies', was originally called MacRae Knitting Mills after the family who founded it in Australia in 1914. Among the first companies to produce specifically "athletic" designs (i.e, swimming costumes that didn't double as sea anchors), MacRae changed its name to "Speedo" in 1928 after staff member Captain Parsons coined the slogan "Speed on in your Speedos".

In 1955 Speedo introduced nylon into its fabric for competitive swimwear (unwittingly inventing a whole new branch of fetishism). The 1956 Melbourne Olympics provided a sensational debut for the new sheer style of brief briefs when Speedo sponsored the medal-sweeping Australian team. By the time of the 1968 Olympics, and through the '76 Games, almost every gold medalist swimmer wore Speedos. Naturally, men all over the globe wanted to enjoy the sensation for themselves.

Even in the United States. Up until the early 1980s, Speedos were a common sight here, both on the beach and at the pool. Everything was lovely, and snug and nicely outlined. But then something horrifying happened. Sometime in the late '80s men's swimsuits began to grow in length and bulk. Year by year they crept down the thigh toward the knee - and beyond - all the while billowing clownishly downward. Now US men wear, of their own volition, not even the knee-length woolen knickers that the Australian men of Manly heroically protested in the early 20th century, but bloomers, a voluminous form of female attire last seen in the 1850s (and generally regarded as ridiculous back then). In the water, today's Speedophobic males are half-man, half-jellyfish.

Unfittingly enough, the tragic trend began with someone wearing two pairs of shorts at the same time. In the '70s basketball shorts were skimpy (almost like Oz football shorts), but Michael Jordan popularized sexless long shorts in the NBA in the late 1980s. "He wanted to keep wearing his lucky [University of] North Carolina shorts under his Chicago Bulls shorts", explains Australian academic David Coad, author of an upcoming book on sexuality, gender, and sport, "and decided to wear a longer pair to cover the shorter ones." Because Jordan was Jordan, others copied, and thus baggy shorts became fashionable. It seems that this evil trend spread to male swimwear.

There was, I'd venture, another, weightier reason for this swimwear elephantiasis. The late '80s was also when male obesity became a big trend in the United States. Baggy shorts hide baggy buttocks. They also wear higher, and their large profile makes a baggy stomach considerably less obvious than when hanging over the waistband of a Speedo.

Moreover, "board shorts" hide the chicken legs of a car-centered society in which men watch sport (while eating) instead of playing. Is it simply a coincidence that when many young American men saw their bodies losing masculine definition they started wearing ladies' bloomers?

The '80s also saw the rise of the male as appetizing, idealized, media sex object. The bar for male beauty was being set higher and higher as the reality was getting heavier and heavier. The tyranny of "boardies" is an expression of male self-consciousness, self-loathing - and paranoia both of being "checked out" and not measuring up. The '80s saw a steep rise in the American male's awareness of gays - and with it his desire not to be mistaken for one by in any way signalling that he had an ass and a packet. Baddy shorts are a deliberate and cruel affront to homos - but it's nice to know that straight men are thinking about us so much.

Gays are, of course, flamboyant Speedophiles. They are less likely to be overweight. They are more likely to be worked out. Hence their wearing Speedos really rubs people's noses in it - in every sense. Gays are more than happy to advertise the highly versatile, sex-object status of the male body: and a Speedo screams Cock! Balls! Ass! - in any order or combination you fancy.

It's as obvious as a badly smuggled budgie that despite the pagan passion of pop culture and an enthusiastic uptake of the beach lifestyle, the promise of sandy sexual liberation had come slightly adrift stateside. The painfully unequal sexual division of labor on US beaches, where women wear little more than eyeliner and men wear tents - without the pole - is a sorry testament to that.

The phalliban spirit of 1960s Cape May has triumphed.

Wednesday, April 11, 2007

My new video


At the request of some of the Guyzingear rubbermen, I've made a video on my rooftop shined up in natural light. It's pretty good, I think!

Monday, April 9, 2007

Rough rubberslave training

These videos are so hot! Excellent hardcore rubbersex!

Find more videos like this on guyzingear


Find more videos like this on guyzingear


Find more videos like this on guyzingear

My new purchase...again!

Well, since the Latexa purchase was so successful, I'm emboldened to carry on with my next purchase. I have talked to Bob Merton about this suit before, which I had only seen in pictures, but now he has a video of it.

It is a custom-sized transparent ultrathin fullsuit from Cocoon. He had described it to me in our conversations on Gearfetish, and now that I've seen it in action, I think I'm going to get one. It is so hot!

Wednesday, April 4, 2007

Second Skin


I absolutely love this picture. I think it's my favorite of myself. How vain is that? It is just so bizarre and perverted and skintight and glossy all over. It makes me look freaking awesome! I'll be so appreciative of having had the opportunity to own this suit and take this picture when I'm old, flabby and decrepit and remembering how young, tight, and fit I used to be!

It looks like I have a second skin on, like I was always supposed to look like this, and I think that exemplifies this fetish for me.

Complete isolation from your surrounding environment. I believe that is the true crux of this fetish for me -- being completely removed from everything around me within a constrictive sheath that moves when I do -- once again, my second skin perhaps?

If I had to analyze this psychologically for all of us that enjoy enclosure fetishes (whether constricting or not -- eg., skintight/wetsuit rubberists vs. apron/cape/hazmat suit lovers), it must have something so do with this complete removal from our environments in a form that is bizarro-world pseudo-human. Lying immobile in a vacbed - if you can reduce the noise of the vacuum and get relaxed rather than stimulated - can be an otherworldly, zen-like experience.

I think there's an intensity to it as well that I appreciate. My 'normal' life is very very busy and my energies are stretched to the limits most of the time (that damn Type A personality once again). When I get a chance for some down-time, if it ends up being a rubber play session it tends to be as intense as my active life, just in a more private, introspective, fully-stimulated way. A few hours in a vacuum-bed can be as stimulating and rejuvenating as time off of work, in my opinion. Sometimes those few hours are all you have to pleasure yourself. I enjoy having all my senses stimulated in rubber as a form of escapism and removal from my normal life. It's a completely fantastic experience for me. Don't get me wrong, I require real down-time occasionally as much as the next guy. That's what getaway vacations and sleep-in Sundays are for.

The bizarre, transforming aspect of rubber clothing and masks adds another dimension to that removal. You end up being transformed into something unrecognizable as yourself anymore. A new identity, or possibly, a lack thereof.

There are many fetishists that completely get kicks from the transformation perspective of the enclosure fetishes, thus such interests as the cyborg fetish on Malebots.com (a growing curiosity of mine), the ballooners, furries and rubberpups and many other flavors tying into such things as breath control, filling orifices, bondage, etc., etc.

The variety of material fetishes such as lycra, PVC, leather and rubber are another consideration in addition to the enclosure fetish. I think I'm so attracted to rubber particularly because of its intrinsic properties -- it's stretchy, shiny, squeaky, smelly and completely airtight. A true barrier from everything around you, whether solid, liquid or gas.

Even the differences between black rubber and transparent rubber are significant to me. I always remember being transfixed by the shininess of condoms and rubber gloves, and how you can see through the material despite it being completely impermeable...especially once things inside get sweaty and wet and you can see the movement of the fluids against the skin. So hot.

Black rubber makes you otherworldly, transparent rubber keeps you looking human but modified, protected. If you are completely covered in black rubber you can't see the world outside your sheath, but with transparent rubber you are not completely sealed off. You can see the outside world but in a detached way. And don't even get me started on polished rubber! ;-)

I still appreciate lycra as a fetish material because I think men with the goods look absolutely stunning in it and it feels so great (plus it is so intertwined with athleticism, jocks, and male dancers), but as I've mentioned before, with the sports I do it has become a lot more utilitarian for me than it was ten years ago.

In the summer I'm literally in lycra everyday in a non-sexual context -- not that the fun has been taken out of it for me -- the colors, styles, and material compositions are as varied as the clothes themselves. It is literally my required uniform and things tend to be rather serious in racing and training situations. The fact that all those muscular men I race with are also in this required uniform is not lost on me, mind you!

My affection for skintight rubber has really intensified over the past few years, maybe because it seems to have become so much more easily available since the advent of the Internet and online fetish stores, there are so many rubber-specific sites and discussion boards than there used to be, and also because I can finally afford it in some volume. I've really grown my experiences and collection of rubber, and I can only hope that that will be able to continue for a long time yet.

Rubber is truly my second nature and my second skin.

Sunday, April 1, 2007

Black and White

Here is my first attempt at B/W photo shoots. Let me know what you think.




Tuesday, March 20, 2007

O Fantasma


Here is a gem of a movie from 2000 that I haven't seen yet, but am considering either buying or renting. I've read mixed reviews, but I am intrigued by the main character's 'devolution' and transformation into a savage, other-worldly, sub-human individual. Has anyone seen this? Any suggestions?

From Film Critic:

O Fantasma
A film review by Don Willmott - Copyright © 2004 filmcritic.com

Let me pitch a movie idea. There’s this gay garbageman, see, and he lives in Portugal, see, and he’s a pervert who roams the city at night in a black rubber catsuit and searches out dangerous anonymous sexual encounters. Would you care to invest?

Amazingly enough, someone did, and the result is O Fantasma, a naughty and strangely compelling slice of Lisbon life that proposes, somewhat fuzzily, that without grounding in a healthy loving relationship, we humans quickly devolve into the savage beasts that we truly are.

The beast in this case is Sergio (Ricardo Meneses), a young garbageman whose pouty good looks – he looks ripped from a Calvin Klein cologne ad – have yet win him a girlfriend, or a boyfriend for that matter. He seems to relate best to the garbage crew’s pet mascot, a mutt named Lorde. Though his co-worker Fátima (Beatriz Torcata) is interested in him, his erotic advances consist of licking her face (like a dog) rather than kissing her.

Sergio doesn’t talk much, but he communicates well from the waist down, seeking out bathroom trysts, spur-of-the-moment bondage scenes, and even autoerotic adventures with a shower hose wrapped tightly enough around his neck to leave harsh welts.

Things start to get out of hand when on his garbage route, Sergio encounters the handsome João (André Barbosa), who has a beautiful Suzuki motorcycle. Instantly obsessed, Sergio becomes his stalker, pawing through the guy’s trash (like a dog) to find a sexy souvenir. He’s in luck. João’s torn Speedo soon becomes Sergio’s favorite article of clothing.

Over the next few days, Sergio spies on João at the local pool, licks the shower stall where João has just bathed, dry humps João’s motorcycle in full view of two cops, urinates on João’s bed (marking his territory), and, once he slips into his rubber catsuit, sets out to kidnap the poor guy.

There’s little dialogue in O Fantasma. The heavy-handed dog symbolism is augmented by a soundtrack that consists of little more than howling and barking dogs. Sure enough, Sergio devolves into full animal mode, skulking through the Lisbon garbage dump in the dark (in his catsuit), lapping up water out of puddles and eating trash. By day’s light he’s still there, covered in mud, looking like a morning-after-Halloween nightmare, staggering through the muck. Framed in a doorway like John Wayne at the end of The Searchers, Sergio is heading off to a very uncertain future. It’s quite an image.

Writer/director João Pedro Rodrigues never makes it clear whether he thinks that Sergio is an aberrant case or that we’re all really just low down dirty dogs just waiting for our chance to hump whatever comes along next, be it a man, a woman, or a motorcycle. Nevertheless, Sergio’s dangerous nocturnal ramblings are exciting to watch. Who knew that Portuguese garbagemen had so much going on?

DVD Note: The O Fantasma DVD contains a section called “Eye Candy” that’s nothing more than a highlight reel of all the film’s sex scenes. If Rodrigues agreed to its inclusion on the disc, he must be saying that we are, in fact, just dogs looking to get our rocks off. Heck, why bother watching the whole movie when all the money shots are right here? If Rodrigues didn’t know about it, then the DVD distributors should be ashamed of themselves. Either way, it’s demeaning and an insult both to the film and to its audience.


From The Movie Chicks:
© PICTURE THIS! ENTERTAINMENT - ALL RIGHTS RESERVED
(Director: João Pedro Rodrigues, English subtitles, 90 min, Rating: not rated)

When Sérgio (Richardo Meneses) isn't working as a trash collector in Lisbon, he's busy having anonymous sex with men, playing with the junkyard dog, and ignoring the advances from his coworker, Fátima (Beatriz Torcato), and his boss (Eurico Vieira). One night Sérgio sees a motorcycle man, João (André Barbosa), is smitten, and starts stalking him. Sérgio follows him to the pool, digs through his trash, even breaks into his home. When Sérgio finally comes face to face with João and is rejected, he resorts to his basest instincts, but this further isolates Sérgio until he's left all alone.

Sérgio is "the phantom" of the film, both in his job roaming the city streets by night and in his latex suite that he wears for masked sex. He starts out as a loner, only getting involved when he wants - he sees Fátima being abused but does nothing; he see a cop bound and gagged and instead of helping, simply takes advantage of the situation.

He's very animalistic - he's into sniffing, face licking, and he even marks his territory when he breaks into João's home (and yes, this does mean exactly what you think it does). He spends the last 13 minutes of the film totally cut off from the world, surviving like some new-age latex caveman - 13 minutes may not sound that long, but it seems longer when you have no dialog, no narration, no nothing, just Sérgio suffering alone, behaving more and more like his junkyard dog.

What makes the film so provocative? Has the buzz going? It could be the hunky young star that doesn't mind exposing his body. Or the explicit nature of some of the sex scenes: there's autoerotic asphyxiation, bondage, masturbation, and a rather graphic oral sex scene with a stranger in the men's room. But all this sex and isolation has to be for a reason and there never is an explanation given for his actions. In the end, the audience is left with a great big WHY?

Saturday, March 10, 2007

Speedskaters

Last weekend I had the opportunity to get a ticket to the last day of the Essent ISU World Cup Series. The Men's 1500m, Women's 3000m, and 100M Sprints were the events on the schedule. It was fun to watch and great to see male speedskating glutes again. For Canadian men, Steven Elm, Denny Morrison, and Francois Olivier Roberge were all in action. I tell you, sports are where the hot men really are!

Sunday, March 4, 2007

Track cyclists


Umm...and you wonder why I love this sport so much? Jason Queally in a full-body skinsuit. This is a really funny Lee Evans skit.

Kinky?

Last Sunday evening I got ready to go to Kinky? Night at the Amsterdam Rhino with Dennis. I got all dressed up in my rubber club outfit while Dennis donned one of his RadicalSpeed luge suits that his company sells. We didn't really know what to expect at this event, and it was a 'straight disappointment' to say the least. At least it fulfilled our expectations that it would be the women that made the effort to dress up. Most of the guys there were just wearing street clothes -- what a bunch of lame-os. Dennis and I certainly were the center of attention for the male persuasion, that's for sure. Got lots of looks from both sexes, but when you're the only one wearing skintight rubber in a bar, who wouldn't look? We know now that the Fetish Night at the Calgary Eagle must certainly be a better bang for the buck than this event ($0 vs. $15). Poor straight people -- having to pay big bucks for a mediocre event. It's good to learn these things, although the lesson can sometimes cost a few bucks. It's also times like that that I'm glad I'm gay. It's too bad that most straight guys are so unimaginative and/or hyper-sensitive about their masculinity! Like somehow showing off your body or wearing something risqué is unmasculine. How is that? Is the concern that you may look too gay? You're at a fetish event, fer chrissakes. Get over yourself.